© Richard Ewing. All rights reserved.
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Artwork & Words © Richard Ewing all rights reserved
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Nathaniel Hawthorne was likely the shyest writer of the 'Dark Romantics'. He would often go out of his way to avoid people, and he ... -
Interesting play with line weight is vital for many visual notions. Use it judiciously -and not for solely decorative purposes, as the vari... -
The only way to learn what your line is about is to thread it daily. --only when passing the point of boredom does invention occur, and a ... -
Depresso is when your espresso is made with decaffeinated coffee grounds. ~or when your drawing pen runs dry. same diff... © Richard ... -
Own an understanding of form and you can put it anywhere. © Richard Ewing. All rights reserved. © Richard Ewing. All rights rese... -
It's easier to keep your balance if you keep moving; search for the tension, but don't let it defeat your performance. © Richard... -
The eyes be in the beauty of the holder. © Richard Ewing. All rights reserved. © Richard Ewing. All rights reserved. © Richard Ew... -
If your drawing agrees with itself, then it is not necessary for it to be correctly drawn. © Richard Ewing. All rights reserved. ... -
When you've said all you need to say... sometimes you only need parts. © Richard Ewing. All rights reserved. © Richard Ewing. ... -
Keep on keeping elbows in your composition. It provides a return angle without altering your message much. If your victim sitter has no...
I love the guy on the bottom..there is a great twist to the pose and a perfect blend between strong shapes and the definition of form. The gal with the big lower is lip is also very fine. The guy on the top has great character.
ReplyDeleteWhat I find interesting are the words you use to describe these compositions. You taught me the difference between shapes and forms but I never knew that in caricature they were in constant battle over control. Interesting.
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